Making Love with the Land: Essays

“Joshua Whitehead’s Making Love with the Land is defiantly artful. The essays are alert to so much of the beauty and the terror of the world. I imagine they cost a great deal to write. While reading, I was entirely overcome with gratitude. How lucky we all are to witness Whitehead’s kinetic thinking as well as to be in pain with him. A truly dazzling feat of heart, analysis, and sentence-making.” –Billy-Ray Belcourt, author of This Wound Is a World and A History of My Brief Body

“In his latest ‘wonderwork, ‘ Joshua Whitehead continues his signature and significant mission to undo colonial notions of genre, pushing the boundaries of memoir and cultural commentary into a wholly new, otherworldly terrain. Here, he makes love with body, kin, queerness, and music, demonstrating how making love isn’t just an act of pleasure, but also one of grief, pain, and sometimes even solitude. A voice to listen to, learn from, cherish.” –Vivek Shraya, author of People Change and I’m Afraid of Men

“In this essay collection, Joshua Whitehead pushes at the possibilities of form, and the results are consistently a mix of the revelatory and the sublime. A chiaroscuro of self-questioning directed inward as a way to go outward–affectionate, resolute, playful, and wise. Brilliant lessons learned are on offer here, but more as an invitation to re-experience what you might not know you know.” –Alexander Chee, author of How to Write an Autobiographical Novel: Essays

“An elegiac and elegant book of revelations, confessions, and reverberations.” —Kirkus Reviews

“Whitehead weaves Indigenous Cree language throughout the essays to powerful effect, and though his metaphors can at times be winding, he asks moving questions without resorting to simple answers… Fans of the personal essay will relish Whitehead’s evocative, rich prose.” —Publishers Weekly

“Thrillingly cerebral. . . . Delivered with virtuoso aplomb.” —The New York Times

“An absorbing and compelling work of nonfiction.” —Inside Hook

“A funny, moving, original story about a twenty-something Two-Spirit/Indigiqueer person living and loving and working and remembering in the week leading up to his stepdad’s funeral.” –Laura Sackton, Book Riot

“Intellectually audacious and emotionally compelling, Whitehead shares his devotion to the world in which we live.” –Erica Ezeifedi, Book Riot

“An excellent book for anyone interested in the art of language and communication, and essential reading for anyone seeking to understand more about queer and/or NDN experiences.”–The Frumious Consortium

“In Joshua Whitehead’s Making Love With the Land, every single sentence leaves a sense of awe as the author offers deeply personal and powerful observations with breathtaking prose. Whitehead writes in such an intimate, poetic and vulnerable way that his work is truly like nothing else. ” —Fulton Sun

“Meditative and wholly cathartic, Making Love with the Land is a book to savor, its words best experienced the second time after letting them fully wash over you.” —Electric Literature

“Whitehead’s writing can be challenging in the best way, asking readers to reexamine ideas around literature and what it can do. There’s something special about the way Whitehead discusses storytelling, especially the way he examines how his personal experience informs his writing.” –Kendra Winchester, Book Riot

“Beautifully written and deeply vulnerable, Whitehead reflects on his life experiences, opening up about his eating disorder, sexual assault, queerness, being Indigenous, and more. Full of striking, powerful quotes, this thought-provoking book is both heartbreaking and awe-inspiring.” —Northern Wilds

“Whitehead compellingly examines relationships in a wholistic manner that captures Indigenous understandings of kinship, time, and place. His work is invaluable in examining Two-Spirit Indigenous perspectives on settler colonialism.” —H-Net

Joshua Whitehead is an Oji-nêhiyaw, Two-Spirit member of Peguis First Nation (Treaty 1). He is author of the award-winning novel Jonny Appleseed and the poetry collection full-metal indigiqueer, and he is editor of Love after the End. He is assistant professor in the departments of English and international Indigenous studies at the University of Calgary.